Masuri Mazlan is an artist and cultural worker whose practice spans sculpture, found objects, and photography. His mixed-media installations translate innate desires of intimacy, longing and belonging into uncanny but familiar vignettes of domestic and everyday life. Transforming industrial materials into amorphous forms, Masuri moves between the boundaries of hardness and softness, control and vulnerability, personal memory and collective experience—creating environments that operate as quiet sites of reckoning with inherited trauma and the ambiguities of identity.  

Masuri graduated with a BA in Fine Art (First Class Honours) from LASALLE College of the Arts accredited by Goldsmiths, University of London, in 2018. His artistic excellence and commitment to community engagement have been recognised through several awards, including the Goh Chok Tong Youth Promise Scholarship (2016) and the 38th International Takifuji Art Award (2017) from the Japan Traffic Culture Association. He was also a recipient of the Winston Oh Travelogue Research Award (2018) and the LASALLE Award for Academic Excellence Award (2019).  

Committed to arts advocacy, Masuri was selected for the National Art Council-LASALLE Community Arts Mentorship Programme (2019), co-leading grassroots workshops. As an art organiser, he contributed to exhibitions like Of Spaces and Phases (2020), Resituating Home(making): Hyper-Material Domesticity (2021) and With You Here Between: Defamiliarization (2021). He has participated in residencies, including Supperhouse x GRiD (2024) and The Artling x Straits Clan (2021), fostering interdisciplinary collaborations. He has exhibited in Singapore, Thailand, United Arab Emirates, and Japan.

His work was featured in various print and online media such as Tatler, ELLE, Female, The Peak, ArtReview, ArtAsiaPacific, ArtsEquator, The Artling, and Nenkansha New Art Newspaper.